The photographer clicks, and to a birdie has bothered.
The photographer clicks, and to a birdie has bothered.
About pedagogical value of the Moscow Photobiennial.
Holidays - will cease, leaflets - poraspustjatsja, biennial
-- Will come to an end. Olga Sviblova will sleep, JUlja Girba, the press attache
MDF, hardly will fasten strings of the folder filled by the newspaper
Responses, photographers and journalists will recollect, how in the days
And nights lived one big pioneer camp, wandering crowd with
Opening day on an opening day, from restaurant in restaurant, William Klein
Will tell everything as celebrated the birthday under the church
Church chanting at restaurant "п п п я я п?".
The Muscovites once again excited and raised
The big Art, will rush in shops, will buy soap trays and
Will be accepted njutonnichat, kljajnichat and saramunstvovat.
The pedagogical aspect of Photobiennial somehow is not accepted in
Calculation by critics, tusujushchimisja only on opening days, but costs
To come on exhibitions in usual day, to be convinced of what
Shattering influence on minds is made by a photo. No
Today other art which would concern so
Interestedly and gently; we already understand him also
It is good, as in medicine or education of children. Nevertheless,
Let's risk to advise still pair of modest exhibitions, a little
The got lost against big and small Arenas - remarkable
That at seeming nearness to the spectator
(Haute couture, a policy, other realities is all the same
Some another's world), they illustrate a transformation miracle
Photos from knowledge technical in wisdom of art.
Boris Mihajlova's exhibition "Crimean snobbery" that yours
"A black square" - the first reaction: "And I so can". Yes that
To speak, in each house there are heaps of the "same" photos: summer,
Crimea, still young, harmonous and at hair. Mihajlov,
Actually, and not otkreshchivaetsja from that, what is it "the image
Typical characters in typical circumstances ". However
A little small "slightly" overturn all this
Realistic discourse. In particular, Mihajlov does not remove
Subject of resort passion. The sea as the God: it it is impossible to name
Directly, it is impossible to fix in an emphasis - it will respond muddy,
Melancholy ripples, and you will be long compelled and to complain boringly
On endurance and a diaphragm. It at all what it seems. The sea
-- It is sticky juice of a peach, a white strip from a bathing suit, sand
In sandals, the salty female shoulders which have been pressed down by stones
Maps, cinema under trills of cicadas (and night, as is known - lunar
Light shining on a neck of the broken bottle). A lesson essence:
Never remove that you wish to embody. Things all
neohotnee respond to ingenuous shine of an objective - as
The woman on the indecent offer.
Similar history - with Moscow (an exhibition in a history Museum
Cities). The city does not open simply so, navskidku;
The photo, as well as the literature, requires a metaphor. Nikolay
The Granovsky removes patterns of the Shuhovsky tower - and it turns
In an abstract picture, thus however, calling memoirs about
To radially-ring structure of a city. Alexander Zajtsev removes
Snow cleaning on Nikolsky - but as in memory of everyone
vpechatana a photo of the people who have stood at radio plates listening
The announcement of German intrusion (in the same place, on Nikolsky) -
The photo becomes instant the meaning. Artem Zadikjan
Blocks "Intourist" half-buildings "ikarusom" - and they
Find out unexpected relationship; it seems, that hotel, that and
Look, will get under way in a way (will move, it will be built on, absolutely
Will disappear). Red Kotelnikov removes modernist style ladders in the forgotten
Houses - and their well-known sister in a private residence Rjabushinsky
Finds out the primary functionality and any more
It seems scenery; as well the Kremlin wall - if to take it
From within - (Victor Ahlomov) looks country zaborchikom.
And to anybody already like uninteresting photos of politicians in
Small Arena (obrydli leaders, it is clear) have punctum ` ami at all
Not physiognomies of people. Especially here comparison of the general is good
Kind of IV Duma on which persons are distinguishable to last heat-spot
-- And a hall of XXV congress of the CPSU: such tribunes of stadium where are important
Not personal feelings, and uniform roar. Khruschev's tarantass
Finds out doubtless relationship with the well-known wheel of a cart
On surikovskih "Sagittariuses": it is so much on him tasty, fat
Dirt; singer Ivett Zhilber is a little similar to the coquettish young lady
From a picture of Toulouse-Lotreka; and a photomontage "Alexander II in the
Office in the Winter palace "has one frightening feature:
Owing to small technical marriage at the emperor
There is no one foot - it was torn off bomb Rysakova...
It is the last, that the photo could make in
The statement of the participation to high arts. It became
Not what was born, works not on to what it is obliged,
Finds out not what search. Be vigilant, misters people.
NIKOLAY MALININ.
Boris Mihajlova's exhibition "Crimean snobbery" is opened in KITS
"Slavic" (Nikolsky, 17), "Moscow eyes of photographers.
1950 - 1980 "- in the Museum of history of Moscow (New square, 12),
Charles Bully and Dmitry Baltermantsa's photos can be seen in
Small Arena (the Georgievsky lane, 3).
//* an information Source: Russian telegraph, 28.04.98
//* Reg. Nom. - 1080400236.73-------------------------------------------
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